The project itself has been driven by a balance of the design of the interior decoration, Chloe tells Böhm, but also honouring the building’s original features as a key design driver for the project.
“One of its standout elements is the large windows: we restored and painted them right away. I had a blacksmith make bespoke black iron curtain poles to echo the exposed steelwork, which helped tie the whole space together. From there, I used my network of textile suppliers to find the perfect fabric that complemented the flooring and hand painted lime-washed walls. My curtain maker then created the huge, heavy curtains that frame the space. Details like bespoke soft furnishings, in my opinion, are really what takes a project to the next level and were especially important here to highlight the building’s character.”
Entering the apartment, which is located on Church Street in Manchester’s Northern Quarter, you are greeted by an intentionally designed corridor, featuring warm spotlighting which catches the details of the limewashed walls. The spirit of the design is then reflected throughout the rest of the apartment, which features similar materiality and colour selection. The open plan living space utilises a warm and natural pallet of colours, with defined spaces for living, working and eating within the large space. This allows the scale of the open-plan room to be enjoyed at all times, while each function is designed for, through the furniture selection and layout. The walls of the space are exposed brick, which has been treated and has a white-washed appearance. This decision allows the honest materiality of the space to shine through, but also sit back and act as a background to the rest of the interior decoration. The large windows frame the industrial buildings nearby, further enhancing the industrial features within the apartment itself, and placing it within the context of the architectural vernacular of the area.
Chloe Boyd reviewing samples in her Northern Quarter apartment








